Pakistan's Other Story: Explosion in Arts and Literature in 2010

Have you ever wondered if Pakistan is really as one-dimensional a country as stereotyped by the negative torrent of international media coverage that dominated the news headlines in 2010?

Have you ever thought that Pakistanis engage in any pursuits other than as perpetrators or victims of terror that the journalists find the most newsworthy about the world's sixth most populous South Asian nation?

Well, an Indian-American producer Madhlika Sikka on NPR's Talk of the Nation radio did wonder about it when she visited Pakistan this year. In the talk show aired on June 3, 2010, she described the main concerns of young Pakistanis follows:

"I think, that young people are concerned with the same things you'd think young people are concerned with. In fact, when I came home, the immigration officer asked me about Pakistan, and she said, well, what are they thinking about?

And I said, well, I met a lot of young people, and they're thinking about jobs, and they're thinking about the fact that the power goes out regularly, gas costs a fortune. They're really thinking about what their prospects are and the conflict with India, the war on terrorism, isn't at the top of their list."

She summed up her assessment of the current situation in Pakistan in the following words:

"Well, I think that I think that there's no doubt that if you live in a city like Islamabad or Peshawar, certainly where Julie McCarthy was, you know, they live and breathe this tension every day.

But let's take a city like Lahore, where we were just a couple of weeks ago. And last week, there was a huge attack on a mosque in Lahore, 70, 80 people were killed. You can't help but feel that tension, even though you are trying your best to go live your daily life as best you can. And I think that that push and pull is really a struggle.

But one thing I do want to talk about in the, you know, what is our vision of Pakistan, which often is one dimensional because of the way the news coverage drives it.

But, you know, we went to visit a park in the capital, Islamabad, which is just on the outskirts, up in the hills, and we blogged about it, and there are photos on our website. You could have been in suburban Virginia.

There were families, picnics, picnic tables, you know, kids playing, stores selling stuff, music playing. It was actually very revealing, I think for us and for people who saw that posting, because there's a lot that's similar that wouldn't surprise you, let's put it that way."




Along the same lines as NPR's Sikka, let me share with you some of the best kept secrets of Pakistan's other story which would take a lot of effort to discover on your own.

The world media have correctly reported on the deadly blasts caused by the frequent US drone strikes and many suicide bombings in 2010. But Pakistanis have also seen an explosion in arts and literature in the last few years as the nation's middle class has grown rapidly amidst a communications and mass media revolution. A British magazine Granta dedicated an entire issue in 2010 to highlight the softer side of Pakistan.

Granta has highlighted the extraordinary work of many Pakistani artists, poets, writers, painters, photographers and musicians inspired by life in their native land.



For example, the magazine cover carries a picture of a piece of truck art by a prolific truck painter Islam Gull of Bhutta village in Karachi. Gull was born in Peshawar and moved to Karachi 22 years ago. He has been practicing his craft on buses and trucks since the age of 13, and now teaches his unique craft to young apprentices. Commissioned with the assistance of British Council in Karachi, Gull produced two chipboard panels photographed for the magazine cover.

Granta issue has articles, poems, paintings, photographs and frescoes about various aspects of life in Pakistan. It carries work by writers like Mohsin Hamid (The Reluctant Fundamentalist), Daniyal Mueenuddin (In Other Rooms, Other Wonders), Kamila Shamsie (Burnt Shadows), Mohammad Hanif (A Case of Exploding Mangoes) and Nadeem Aslam (The Wasted Vigil) who have been making waves in literary circles and winning prizes in London and New York.

In a piece titled "Mangho Pir", Fatima Bhutto highlights the plight of the Sheedi community, a disadvantaged ethnic minority of African origin who live around the shrine of their sufi saint Mangho Pir on the outskirts of Karachi.

In another piece "Pop Idols", Kamila Shamsie traces the history of Pakistani pop music as she experienced it living in Karachi, and explains how the music scene has changed with Pakistan's changing politics.

A piece "Jinnah's Portrait" by New York Times' Jane Perlez describes the wide variety of Quaid-e-Azam's portraits showing him dressed in outfits that give him either "the aura of a religious man" or show him as a "young man with full head of dark hair, an Edwardian white shirt, black jacket and tie, alert dark eyes". Perlez believes the choice of the founding father's potrait hung in the offices of various Pakistani officials and politicians reveals how they see Jinnah's vision for Pakistan.

While Granta's focus on art and literature has produced a fairly good publication depicting multi-dimensional life in Pakistan, there are apects that it has not covered. For example, Pakistan has a growing fashion industry which puts on fashion shows in major cities on a regular basis. The biggest of these is Pakistan Fashion Week held in Karachi in February. Over 30 Pakistani designers - including Sonya Battla, Rizwan Beyg, and Maheen Khan - showed a variety of casual and formal outfits as well as western wear, jackets, and accessories.






There were scores of expos and trade shows put on by various industries, including a book fair in Karachi, attended by about 250,000 people. Publishers from the UK, Singapore, Iran, Malaysia and India also participated in the event.

Karachi's Mohatta Palace Museum hosted an Art exhibition, “The Rising Tide: New Direction in Art From Pakistan,” that included more than 40 canvases, videos, installations, mobiles and sculptures made in the past 20 years. Its curator, the feminist sculptor and painter Naiza Khan, told the New York Times that her aim was to show the coming of age of Pakistani art.



A Pakistani theater group defied the government ban and put on "Burqavanza", a satirical play in which all the actors wear burqa as a metaphor for hypocrisy in the nation. Adam Ellick of the NY Times reported that the play "doesn’t sidestep any of the country’s problems: a creeping radicalization, terrorism, government corruption, and interference by Western nations, especially the United States."

A conference celebrating 31 years of a theater group named Tehrik-i-Niswan (Feminist movement) included presentations, research papers, theatrical performances and a poetry recital just this month.

While it is true that Pakistan faces many serious crises, particularly religious extremism and terrorism, there is much more to see and report about this nation of 180 million people with a large and well-educated urban middle class.

Related Links:

Haq's Musings

Pakistan's Media Revolution

Along Grand Trunk Road in India and Pakistan

Pakistan's Urban Middle Class

Music Drives Coke Sales in Pakistan

Life Goes On in Pakistan

Karachi Fashion Week

Is Pakistan Too Big to Fail?

Karachi Fashion Week Goes Bolder

More Pictures From Karachi Fashion Week 2009

Pakistan's Foreign Visitors Pleasantly Surprised

Start-ups Drive a Boom in Pakistan

Pakistan Conducting Research in Antarctica

Pakistan's Multi-billion Dollar IT Industry

Pakistan's Telecom Boom

ITU Internet Data

Eleven Days in Karachi

Pakistani Entrepreneurs in Silicon Valley

Musharraf's Economic Legacy

Infrastructure and Real Estate Development in Pakistan

Pakistan's International Rankings

Assessing Pakistan Army Capabilities

Pakistan is not Falling

Jinnah's Pakistan Booms Amidst Doom and Gloom

Views: 1638

Comment by Riaz Haq on January 29, 2017 at 8:07am

Pakistan has got a new publisher of English books, and she’s looking to stir things up

https://scroll.in/article/827854/pakistan-has-got-a-new-publisher-o...

Pakistan has produced several internationally acclaimed writers in English, including two Booker Prize nominees (Mohsin Hamid, 2007 shortlist; Mohammed Hanif, longlisted in 2008). But the English language publishing scene in the country is conspicuous by the absence of presses of any repute, barring Oxford University Press Pakistan. Enter, in this space, Mongrel Books, started by Shandana Minhas, author of three novels – Tunnel Vision, Survival Tips For Lunatics, and Daddy’s Boy. Excerpts from an interview on publishing in Pakistan, Mongrel’s vision and mandate, and the way ahead:

Why did you decide to set up Mongrel Books? How has the journey been so far?
For some years now my husband Imran and I have been quietly building the life we always imagined for ourselves, in the company of books, in the service of books. Recently we have been struggling to find books we want to read on shelves in Karachi, so we just decided to take the next logical step and publish them. The journey has just started. I hope you’ll ask me again in a year and I’ll be around to answer.

Why do you think that the English language publishing scene hasn’t evolved in Pakistan? Is it because of a lack of a dedicated readership, infrastructure or even security threats?
Lack of a dedicated readership and infrastructure would be news to the retired bureaucrats, landowners, politicians, socialites and inbred memoirists whose English language offerings have been, and continue to be, published in Pakistan. Just two minutes ago the host of the country’s most watched political talk show told us that all three of the night’s guests were published writers. Between them they had written books on law, dentistry and honour killing.

They might all be good books; the point is that traditional publishing in Pakistan is as riddled with greed, nepotism, cronyism and corruption as the body politick of the wider nation. Its totemic figures, the gatekeepers to visibility, haven’t looked to sustain anything other than their own relevance. If something happens and they aren’t involved in it, they won’t tell you about it. And given the opportunity they will tear it down.

This applies to everything from state-funded cultural bodies to privately owned enterprises to media coverage, and cuts across class. They might tell you they’re not publishing English language fiction because of security threats or censorship, but the truth might be closer to self-censorship: the margins aren’t big enough and “native Pakistani” writers (like me) don’t add to their social cache.

But there might be something stirring in English language fiction publishing too, finally. A distributor in Lahore set up a dedicated imprint a couple of years ago. A big distributor in Karachi is quietly testing whether the footfall at book fairs and festivals might translate into actual sales for its own new fiction imprint. Talented young writers have organised themselves into collectives and started publishing online and in print. And one of the older, smaller presses just published a book of English short stories. By the chairman of the senate.

Almost all Pakistani authors publish or aspire to publish with major Indian publishers. How does Mongrel plan to reverse this trend? And have you managed to poach any writers from bigger publishers? 
We have no aspirations to trend setting, bucking, reversal and/or spotting. Pakistani writers need to continue to find as many publishers as they can. All writers should. We’d love to do co-editions with other indie presses in the region to bring our writers to as wide a readership as possible. Maybe one day we’ll all make enough to pay our electricity bills, haina?

Comment by Riaz Haq on July 2, 2020 at 6:45pm

Sky is the limit for #Pakistan's metal artist. He completed a diploma in electrical #engineering in 1986. Then he joined Nishtar Hall, #Peshawar's main #cultural centre for #music and #art, and then produced a number of oil paintings on large canvasses. https://www.bbc.com/news/world-asia-52660199

Nasim Yousufzai started digging art with a pencil, struck some oil, and ended up in scrap, so to speak.

From unlikely origins, the 50-something metal artist from Pakistan's north-western city of Peshawar has done all of this, and more.

His biggest exhibit was when he designed a huge float for the Pakistan Day parade in 1995, winning second prize.

Then in 2001, he took to the air by designing a makeshift aircraft from an old automobile engine, used car tyres, wooden propellers and wings made of steel pipes covered with canvas sheets.

He flew the machine for five minutes, before he was waved down by his brothers who dragged him home where his panicked mother ordered him never to do it again.

He has since abided by that order.

The son of a day labourer who had migrated from his native Swat region to Peshawar in search of work, Nasim's childhood was steeped in poverty.

But he appears to have made the best of it.

"My elder brother didn't want to study, and my father was happy for him to drop out of school, but I refused to do that, and my father didn't force me," he says.

As a child, he did everything he could to help his family while he studied. After school he would go to a nearby wholesale market to buy vegetables, which he sold in his neighbourhood. Then he worked part time as a helper at an electric store, and also at a tailor's shop where he learned stitching.

"Since my earliest years, I somehow developed a passion for drawing," he says.

That might have sparked his talent for designing things in later life - and in recent years making art out of scrap metal.

"I couldn't resist grabbing a paper and a pen to draw anything that caught my interest, which gradually expanded from household objects to living things."

He completed a diploma in electrical engineering in 1986 and was immediately offered a job, which he still holds.

Alongside his work, he started producing political cartoons for a couple of local newspapers which not only added to his income, but also satisfied his creative urge.

When he joined evening classes at Nishtar Hall, Peshawar's main cultural centre for music and art, he learned to paint, producing a number of oil paintings on large canvasses.

In late 1994, he spotted a newspaper advertisement inviting artists to produce a float representing the culture and history of Khyber Pakhtunkhwa province (then called North-West Frontier Province, or NWFP), for use at the annual Pakistan Day parade in Islamabad.

He applied and his idea was approved for official funding.

Over the next two months, he camped in Islamabad, building a massive float using wood, thermopore sheets, plaster of paris and hundreds of jute bags.

The scene that he crafted showed a male Pathan, KP's dominant ethnic group, a British-era hilltop fort, the building of one of Peshawar's oldest graduate colleges, and Tarbela Dam, the largest in Pakistan.

The float was loaded onto a 22-wheel trailer and driven past the stage where the president and the prime minister were seated.

Having seen Naseem assembling the aircraft in the courtyard of their house, his brothers vaguely knew what he was building. But his mother, who had lived in a village all her life, didn't have the slightest idea.

She came to know when someone rang her up and told her. At that time Naseem had arrived at an air strip in a small town just north of Peshawar, and was readying his plane for the flight.

There had been talk at the time of several home-built aircraft in the region, and one of them near Peshawar had crashed, killing the pilot. So his mother was greatly alarmed.

Comment by Riaz Haq on January 1, 2021 at 6:58am

From the highways to the skies: #Pakistan's famous truck art goes airborne. With elaborate and flamboyant motifs, Pakistani #truck #art has inspired gallery exhibitions abroad and prompted stores in Western cities to sell miniatures.
https://reut.rs/3b1USrg

Pakistan’s famous truck art will move from its highways to the skies, as a flying academy is painting a two-seater Cessna aircraft with the colourful technique.

With elaborate and flamboyant motifs, Pakistani truck art has inspired gallery exhibitions abroad and prompted stores in Western cities to sell miniatures.

“We want to show the world that Pakistan is not all about Financial Action Task Force (FATF) and terrorism issues; it a very diverse country and a land of opportunities,” Imran Aslam Khan, chief operating officer of Sky Wings, a flight training organisation, told Reuters.

He also plans to paint other aircraft, with the aim of promoting tourism in Pakistan.

Such art has become one of Pakistan’s best-known cultural exports in recent years. UNESCO, for example, has been using truck art, blended with indigenous themes, to promote girls’ education in a northwestern Khyber Pakhtunkhwa province.

“The world is familiar with our truck art representation; now, with this aircraft, our colours will fly in the air. We are really excited,” Haider Ali, the artist painting the aircraft, told Reuters at the academy’s hangar.


Trained by his father, Ali, 40, has been decorating trucks since his childhood and is now one of the most prominent such painters in Pakistan.

Ali hopes to paint an Airbus or Boeing aircraft in the future, saying an opportunity to work on such gargantuan planes would truly be a learning experience.

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